Andrés Segovia & His Contemporaries Series [10 CDs] (24/06/2009)

[playboy6006]

Segovia & His Contemporaries Series



Segovia & His Contemporaries Vol. 1: Segovia & Oyanguren DHR-7703

ANDRES SEGOVIA - 1944 Recordings (issued 1945)

Segovia's 1944 recordings, out of print for over three generations, represent him at the peak of his powers. His unique, clear, rich and dark tone, as well as his orchestral timbres and textures, reaffirm his pre-eminence in the history of the guitar.

Albeniz: Granada; Torre Bermeja; Sevilla
Granados: Tonadilla; Dance No. 10 ; Dance No. 5

JULIO MARTINEZ OYANGUREN - 1937 Recordings

Oyanguren was active concert performer in the 1930s and 1940s. His Columbia recordings appear now (on CD) for the first time in 60 years. Highlights of his career included engagements as guest-soloist with the New York Philharmonic and for President Roosevelt in the White House.
Tarrega: Recuerdos de la Alhambra; Prelude No. 5; Prelude No. 6; Prelude No. 11; Prelude No.12; Danza Mora
Sirera: L'Hereu (Danza Infantil); Jerezana (Serenata); Zapateado; Campion: Air; Sonate; Gigue; Gavotte; Fugue
Milan: Pavane; Narvaez: Guardame las Vacas; Sanz: Capricho; Ferrandiere: Rondo; Aguado: Allegro; Sor: Grand Sonata Op.22

Segovia & His Contemporaries Vol. 2: Segovia & Guillermo Gomez DHR-7704

ANDRES SEGOVIA - 1944 Recordings (issued 1947)

D. Scarlatti: Sonata; Paganini-Ponce: Romanza; Rameau: Minuet; Purcell: A New Irish Tune; Minuet; Jig
Dowland: Galliard; A. Scarlatti (Ponce): Gavotte; Sarabanda; Haydn: Minuet; Andante

GUILLERMO GOMEZ - 1928 Recordings

A performer, composer and arranger, Gomez was active mostly in Mexico. His American Columbia recordings of 1928 were made in New York (about which time the orchestrated version of his Suite Andaluza, was performed by the New York Philharmonic). His distinctive musical personality, rhythmic intensity and vitality, are displayed by these masterly recorded performances, now available for the first time in over 70 years.
G. Gomez: Potpourri de Aires Espanoles; Tremolo; Angelita; Suite Andaluza in four part ; Chapi (arr. G. Gomez): Serenata Morisca
Massenet (arr. G. Gomez): Elegie; Torroba: Fandanguillo; Granados: La Huerfana (arr. G. Gomez); Playera Danza No. 5 (arr. G. Gomez)
Nevin (arr. G. Gomez): El Rosario

Segovia & His Contemporaries Vol. 3: Segovia & Walker DHR-7709

Segovia's 1947 Musicraft recordings of Bach (most notably of the Chaconne - the first guitar version ever recorded) represents a milestone in the development of the guitar in the 20th century. These recordings have always been available in one format or another, invariably with atrocious sound...

UNTIL NOW!!!

DOREMI has painstakingly restored these glorious recordings to the level of sonic quality their magnificence deserves. Segovia is once again represented at the peak of his technical and musical powers, in performances which reveal his unique, clear, rich dark tone, his orchestral timbres and textures.

The recordings of Luise Walker, from 1932 & 1934 - when she was in her early 20's, reveal her to be a worthy contemporary of Segovia, an elegant, sensitive player with a beautiful tone and an impressive command of her instrument. For the first time the guitar aficionado is provided with an excellent sound which showcases Walker's unique artistry.

ANDRES SEGOVIA plays J. S. BACH:

Musicraft 78s Album M-85 recorded 1947:

• Chaconne (from Violin Partita No.2) BWV 1004
• Gavottes 1 & 2 (from Violin Partita No.3) BWV 1006

Musicraft 78s Album M-90 recorded 1947:

• Prelude for Lute BWV 999
• Courante (from Cello Suite No.3) BWV 1009
• Sarabande (from Lute Suite No.1) BWV 996
• Bourree (from Lute Suite No.1) BWV 996
• Gavottes 1 & 2 (fromCello Suite No.6) BWV 1012
• Fugue (fromViolin Sonata No.1) BWV 1000

LUISE WALKER:

Telefunken 78s recorded 1934:

• Tarrega (Roch): Gran Jota
• Dominici: Italienisch Fantasie
• Friessnegg: Variations on Schubert's " Die Forelle "
• Chopin: Nocturne Op. 9, No. 2

Odeon 78s recorded 1932:

• Schubert: Standchen
• Weber: Minuet for Guitar, Viola & Flute
• Schumann: Traurnerei
• Brahms: Waltz in A flat
• Boccherini: Minuet & Allegro

Segovia & His Contemporaries Vol.4: Segovia & Maria Luisa Anido DHR-7719

ANDRES SEGOVIA (1944 recordings)

MILAN: Pavane VI; Pavane IV; SANZ: Pavane; ANON: Canzone; Saltarello; El Noi de la Mare; El Testamente de Amelia; TORROBA: Burgalesa; Albada; Arada; TARREGA: Danza Mora; Minuet; DE VISEE: Entrada; Giga; Bourree; Minuet.
The selection of recital pieces presented in this volume originates from the same recording sessions in January 1944 which produced the Albeniz and Granados tracks heard on Vol. 1 of this series. Unavailable in any format for decades, these miniatures provide yet another glimpse into the art of the Maestro at the height of his powers. An eclectic selection of works spanning five centuries of western music.

MARIA LUISA ANIDO (Recorded c. 1930 -1956)

ALBENIZ: Asturias; Granada; TARREGA: Recuerdos de la Alhambra; Variaciones sobre la Jota Aragonesa (Gran Jota); Sueño; GRANADOS: Danza No. 5; ALBENIZ: Cadiz; RUBINSTEIN: Romance.
One of the greatest guitarists of all time, Anido has unfortunately been very little represented on record. A glaring omission, finally rectified in this volume!
Acclaimed as a prodigy by Segovia himself, she developed a mature and unique artistry. She had a flourishing career during the 1930's and the 1950's. This wonderful Argentinian artist's romantic flair is beautifully demonstrated in a selection of virtuoso guitar works by the great Spanish masters, recorded in her prime.

Segovia & His Contemporaries Vol.5: Segovia & Vicente Gomez DHR-7723

ANDRES SEGOVIA (1928-1939 RECORDINGS)

TORROBA: Fandanguillo from "Suite Castellana"; BACH: Prelude from cello suite No.1 BWV 1007
TARREGA: Etude in A major; MENDELSSOHN: Canzonetta from string quartet in Eb Op.12
ALBENIZ: Granada & Sevilla from "Suite Espagnole"; TORROBA: Preludio
CASTELNUOVO-TEDESCO: Vivo ed Energico from "Hommage a Boccherini"
The recital pieces presented in this volume originated in recordings made in London for HMV between 1928 and 1938. They constitute a representative cross-section of his concert repertoire, made at the height of his powers. As always, this DOREMI CD sound is far superior to any re-issue of Segovia material transferred by others.

VICENTE GOMEZ (1939 RECORDINGS)

GOMEZ: Romance de Amor; La Farruca; Sevillanas Y Panaderos; Alegrias; Granada Arabe; Solea
CALLEJA: Cancion Triste; SOR: Preludio; MARIN: Rapsodia Andaluza; TARREGA: Marietta & Adelita;
AGUADO: Estudio de Concierto; TORROBA: Fandanguillo from "Suite Castellana"
One of the most popular classical guitarists of the 78 era, Gomez has unfortunately not yet been represented on CD. This CD rectifies this glaring omission. These 1939 debut recordings made for American Decca, have not been available in any format for several decades. They show an artist of remarkable versatility, with a mastery of both the classical heritage and the Spanish folk tradition.

Segovia & His Contemporaries Vol.6: Segovia, Llobet & Anido DHR-7754

Llobet in 1905

ANDRES SEGOVIA HMV recordings 1928 - 1930

Bach: Prelude BWV 999; Allemande from Lute Suite BWV 996; Fugue in A minor from the 1st Violin Sonata BWV 1001
Ponce: Suite in A major: Prelude, Allemande, Sarabande, Gavotte, Gigue
The recital pieces presented in this volume originated in recordings made in London for HMV between 1928 and 1938. They constitute a representative cross-section of his concert repertoire, made at the height of his powers.

MIGUEL LLOBET Parlophone/Decca recordings 1925 - 1929

Quijano - Llobet: Estilo Popular Argentino; Coste: Etude Op. 38 No. 23 Sor: Etude in B minor Op. 35 No. 3; Andantino Op. 2 No. 3
Bach: Sarabande from the 2nd Violin Partita BWV 1002 Ponce: La Pajara (Cancion Mexicana); Ponce: Por ti Corazon (Cancion Mexicana)
Anon - Llobet: El Testament d'Amelia; El Mestre; La Filla del Marxant; Plany

One of the greatest classical guitarists of the 78 era, Llobet was the foremost student of Tarrega, the "father" of the modern classical guitar. His recordings were made for Odeon-Parlophone in the mid 1920's. They show an artist of remarkable originality and virtuosity, playing many of his famous arrangements in solo and in duo

ANIDO/LLOBET DUO: Odeon/Decca recordings 1925 - 1929

Aguirre: Huella; Mendelssohn: Song Without Words (Book 5) Op. 62 No. 25
Albeniz: Evocacion from Book 1 of "Iberia"

MARIA LUISA ANIDO Victor and Odeon recordings c.1930

Mozart: Minuetto; Alfonso de Sabio: Cantiga; Tarrega: Sueño Ponce: Por ti Corazon (Cancion Mexicana) Bach: Bourree from the 3rd Cello Suite BWV 1009; Prelude from the 4th Cello Suite BWV 1010 San Sebastian: Dolor - Preludio Vasco

This wonderful Argentinean artist was featured previously on Vol. 4 of this series. Anido appears here in duo with Llobet, whose protegé she was. Also presented are seven rare solos recorded on Victor and Odeon in Argentina, issued here for the very first time since their original release on 78s.

Segovia & His Contemporaries Vol.7: Segovia and Francisco Salinas DHR-7761

ANDRES SEGOVIA HMV recordings 1928 - 1930

Ponce: First and Second movements from Sonata no. 3, Postlude 18; Tarrega: Tremolo Study (Recuerdos de la Alhambra), Petite Valse, Mazurka; Turina: Fandanguillo.
The recital pieces presented in this volume originated in recordings made in London for HMV between 1928 and 1938. They constitute a representative cross-section of his concert repertoire, made at the height of his powers.

FRANCISCO SALINAS Columbia (1926) and Victor (1931) recordings.

Yanez: Anita (Mazurka), Habaneras, Estudio de Concierto; G. Gomez: Tu Recuerdo, Arpa de Oro, Guajiras, Tientos, Conchilla; Salinas: Dime Que Si...
Tarrega: Adelita; Capricho Arabe; Schubert: El Deseo; Arcos: Maria Luisa; Galindo: Suplica de Amor.
Although long considered in his native Mexico as its founding father of the classical guitar, Salinas is now, outside of his homeland, wholly unknown as a concert guitarist and a recording artist.This volume contains the very first re-issue of his recordings in nearly 75 years. Recorded only one year after the introduction of electrical recordings, it restores the prominence his artistry merits and preserves the vividness of his sumptuous sonority. These extremely rare early recordings, made in New York in 1926 for Columbia and in 1931 for Victor, reveal a unique artist who possesed intense musical sensibility and a uniquly beautiful sound evoking the Mexican style and sentiment.

Segovia & His Contemporaries Vol. 8: Segovia & Oyanguren Part II DHR-7794

Julio Martinez Oyanguren Recorded 1937 - 1941 (Columbia & Victor)

Giuliani: Grande Ouverture Cimarosa: Sonata in A Rameau: Gavotte
Parga: Alhambra Tarrega: Capricho Arabe; Spanish National Airs
de Falla: Homage (Le Tombeau de Debussy) Turina: Rafaga Rodriguez: La Cumparsita
Bobri: Danza en La Oyanguren: Arabia; Andalucia
Andrès Segovia Recorded 1927 - 1939 (HMV)
Sor: Theme Varie de Visee: Sarabande ; Bouree ; Menuet Froberger: Gigue
Bach: Courante; Gavotte Malats: Serenata Granados: Danza Espanola No. 5

In Volume 8 of DOREMI's pioneering series "Segovia and His Contemporaries," the spotlight once again falls on the Uruguayan virtuoso, Julio Martinez Oyanguren, who was introduced in the first volume. Apart from Segovia himself, no other classical guitarist in the 78 era recorded as prolifically or eclectically as Oyanguren.
In this present offering, we hear a typically wide ranging repertoire covering three centuries. Of particular interest are the first ever recordings of Giuliani's "Grande Overture" and de Falla's masterpiece "Homage a Debussy". The selection of Segovia HMV recordings offered parallels the span of Oyanguren's performances, including signature performances of two of Granados' "Danzas Espanolas" and Sor's "Variations on a Theme of Mozart." Although these recordings date from the 1920s and 1930s, their sound is lucid and full, thanks to the carefully restoration by DOREMI.

Segovia & His Contemporaries Vol. 9: Segovia & Sainz de la Maza DHR-7804

Regino Sainz de la Maza: (COLUMBIA; DECCA; ODEON c. 1928-1948)

Rodrigo: Concierto de Aranjuez
Tarrega: Mazurka; Evocación; Reverie
Sainz de la Maza (Arr: El Vito)
Andres Segovia: (COLUMBIA 1949)
Castelnuovo-Tedesco: Guitar Concerto No.1; Tarantella
Ponce: Sonatina Meridional

Volume 9 of "Segovia and His Contemporaries," showcases two landmark recordings, Segovia's first performance of the Castelnuovo-Tedesco Concerto #1 and Regino Sainz de la Maza's premiere of Rodrigo's universally beloved Concierto de Aranjuez. Waxed in the late 1940s, these rare recordings marked the first appearance on disc of the first concertos written for the guitar in the twentieth century. Sainz de la Maza was one of the most important classical guitarists of the twentieth century not only as a performer, but as a teacher, composer, arranger, and exponent of new repertoire. This recording goes a long way to rectify his very weak representation on CD. Besides his evocative performance of the Aranjuez, he plays two tremolo studies and a Mazurka of Tarrega, as well as his own arrangement of the folk tune El Vito. Segovia offers Castelnuovo-Tedesco's virtuosic Tarantella and Ponce's Sonatina Meridional. DOREMI is proud to issue these musically historic gems of the art of the classical guitar.

2CDs + 1DVD
Segovia & His Contemporaries Vol. 10: Segovia & José Rey de la Torre DHR-7854-6

Featuring the early-recordings of the legendary Cuban-American guitarist, Jose Rey de la Torre. This release comprises Rey's first three long-playing recordings (1945-1950) in their entirety, along with Andres Segovia's complete rare 1955 Decca issue "Masters of the Guitar". All of the performances are devoted to the works of Fernando Sor and Francisco Tarrega, the two seminal figures in the development of the modern classical guitar. The works of these guitarist-composers have formed the backbone of the technical and artistic formation of guitarists for well over a century. Rey's recordings are particularly significant. His recording of many of Sor's most important etudes was by far the earliest and his performances of them remain musically among the most beautiful and accomplished ever set to disc. Equally important are his renderings of the little-performed Tarrega preludes "exquisite miniatures" and the ubiquitous warhorses (Recuerdos, Lagrima, Adelita, and the like), not only for their artistic merit, but also for the fact that his interpretations come in a direct line of descent from Tarrega himself by way of Rey's maestro, Miguel Llobet, Tarrega's finest student. These recordings also allow listeners a clear contrast between the two dominant traditions of classical guitar performance in the twentieth century -one line descending directly from Tarrega, the other from Segovia. Also included is a DVD of extremely rare television appearances made in 1957 and 1962 by Rey de la Torre.

CD1
REY DE LA TORRE
FRANCISCO TARREGA (Source: SMC-516)
Preludes 1; 2; 3;4; 5; 6; 7; 10; 11
Endecha; Oremus; Lagrima
Recuerdos de la Alhambra; Adelita
Marieta, Minuetto; Mazurka
FERNANDO SOR (Source: SMC-517)
Etudes 1; 2; 3; 4; 6 ; 8; 9; 10; 11; 13; 14; 16; 20
FERNANDO SOR (Source: Allegro LEG-9013)
Grand Sonata, Op. 22 (I. Allegro II. Adagio III. Minuetto IV. Rondo)

CD2
Introduction, Theme, & Variations on "The Magic Flute" Op. 9
Minuet in D & Minuet in A, Op. 11
Etude in B minor, Op. 35/2; Etude in Bb major, Op. 29/1; Etude in A major, Op. 6/6
ANDRES SEGOVIA - (Source: Decca DL 9794)
FERNANDO SOR
Introduction & Allegro (Grand Solo) Op. 14
Two Minuets in A and in E
Four Studies: in A, in G, in b, in A
FRANCISCO TARREGA
Estudio Brillante; Marieta (Mazurka)
Preludio No. 5; Preludio No. 2
Maria (Gavota); Mazurka in G
Adelita (Mazurka); Capricho Arabe; Recuerdos de la Alhambra
DVD
1957:
Rey de la Torre: Variations on a Theme from the Magic Flute (Sor); Montoya: Taranta (flamenco);
Rey de la Torre: 3 pieces by Robert de Visee from suite in d;
Montoya: Buleria, Solea (flamenco);
Rey de la Torre: Homage a Debussy (Manuel de Falla)
1962:
Pavane (Luis Milan); Study in Bm (Fernando Sor)
Fandanguillo (Turina); Asturias-Leyenda (Albeniz)
Choros 1 & Etude 11 (Heitor Villa-Lobos)


DOWNLOAD LINKS:

Rapidshare:

http://rapidshare.com/files/247970096/Disc-01.rar
http://rapidshare.com/files/247970034/Disc-02.rar
http://rapidshare.com/files/247969961/Disc-03.rar
http://rapidshare.com/files/247970070/Disc-04.rar
http://rapidshare.com/files/247969989/Disc-05.rar
http://rapidshare.com/files/247970013/Disc-06.rar
http://rapidshare.com/files/247970171/Disc-07.rar
http://rapidshare.com/files/247970071/Disc-08.rar
http://rapidshare.com/files/247969992/Disc-09.rar
http://rapidshare.com/files/247970088/Disc-10-a.rar
http://rapidshare.com/files/247969929/Disc-10-b.rar

Password unrar: guitar.vn

MediaFire:

http://www.mediafire.com/?zz5ddjikvzj
http://www.mediafire.com/?0etm2yb5wtz
http://www.mediafire.com/?mjblgyyoaio
http://www.mediafire.com/?wynz2fztmnr
http://www.mediafire.com/?z21omjq5jcn
http://www.mediafire.com/?gug4enyu3vt
http://www.mediafire.com/?yikydmmdmum
http://www.mediafire.com/?qnmzxnulzzl
http://www.mediafire.com/?hyhzaw10mbh
http://www.mediafire.com/?yhzitkozn2m
http://www.mediafire.com/?zkzmmokq3jt

Password unrar: guitar.vn

[Soida282xd]

Tuyệt!!! Pác Plâyboy ko bit kiếm đâu được toàn hàng độc thế này